Mark Sebastian Jordan’s interview at Seen & Heard International with Margaret Brouwer about her new composition Voice of the Lake, premiering in Cleveland on Nov. 12.
I don’t know one bean about opera. What I do know, is that Andrew Potter produced a note Monday night so low and resonant I felt it in my bones. You don’t have to know much Wagner to appreciate the talent and hard work behind making that music.
I attended “Hopera2!” at The Phoenix Brewing Company — a pairing of Phoenix’s beer with music by Mid-Ohio Opera. The opera company was founded by Joel Vega, a name I knew growing up here as someone to watch out for at the yearly solo and ensemble music competitions. And now look at him! Maybe it was the beer, but the man couldn’t stop smiling. As someone who has created his own successful arts nonprofit in a town where many said, opera? he has every right to grin. Mid-Ohio Opera brings in singers from around the country and offers Mansfield world-class performances. Not to mention the fact that Joel, himself, is a talented opera singer who teaches others for a living. Continue reading
Here’s a link to an excellent blog post at Americans for the Arts by Colleen Cook, the Director of Marketing at the Renaissance Theater in Mansfield, Ohio, and a great friend and colleague of VFTB. Colleen is talking about how the Ren has used blogging and podcasting to engage people in the north central Ohio area.
VTFB contributor Mark Sebastian Jordan has previously appeared on the podcast, talking about upcoming concerts of the Mansfield Symphony. We’re glad to hear the success Colleen is having with this modern marketing tool!
An essay by Mark Sebastian Jordan.
Not in a bad way. In a just-got-laid-out-flat by the energy of the universe way.
Every once in a great, rare while, you hear exactly the right piece of music in exactly the right performance at exactly the right time in your life. And it will shake you.
For me, it happened tonight, October 5, 2017, in Severance Hall, when I heard the Cleveland Orchestra and conductor Franz Welser-Möst own Mahler’s Sixth. It immediately lept to my short list of greatest concert experiences, ever.
Why the piece matters and why this concert matters goes back a ways. It’s not performed all that often, glittering black beast that it is. Not only is this symphony fiendishly difficult, it’s also long—about 80 minutes—and ends darkly after tumultuous struggle. Not exactly a crowd-pleaser, it would seem, yet the piece is beloved by many, because it is a powerful emotional statement.
A review/commentary by Mark Sebastian Jordan
Last Saturday saw the beginning of a new era at the Mansfield Symphony and, I hope, in Mansfield itself. But before I comment on that, let me offer full disclosure: Not only do I give pre-concert talks for this orchestra, I was on the committee that selected its new music director, Octavio Más-Arocas. Beyond that, however, I want to caution that the thoughts expressed here are my own and do not represent the views of the Mansfield Symphony, the Renaissance Theater, or any other organization.
The music director search committee met many times as we waded through almost a hundred applications for the position. Those who habitually run down Mansfield may be surprised to hear that statistic, but the fact is inescapable that Mansfield has an extraordinary orchestra for a community of this size. It was formed back when this town had an industrial base and the wealth that came with it. The money is scarce today, but passionate dedication has kept alive an ensemble that has a fine regional reputation because it is staffed by players from all over the state, many of them professors, independent teachers, or advanced students.
The “We Are United” Hurricane Benefit at La LUNA last Friday raised money and collected donated items to send down to people affected by the recent hurricanes. The event featured performances by musicians, comedians, and writers from the central Ohio area. Here we have collected the works of the three writers and video of their performances.
Mansfield, a Love Story by Llalan Fowler
You fall like rust off an unused warehouse, you sound like broken glass under my heel, you taste like the lead paint curling down walls in your empty Gothic homes. You scream like the trains passing through every morning at two and you are as silent as the empty storefronts whose dusty windows throw back a dirtier version of myself. Mansfield, you birthed me, you raised me, and I left you. Continue reading
qPOC…&LMNOP by Chico’s Brother
review by Nick Gardner
So often we find ourselves caught up in arguments of politics, discussing race and gender, citing articles we have read, or anecdotes we have been told without questioning our personal truths. As Chico’s Brother, Aurelio Villa Luna Diaz rejects this PC banter and academic discourse in favor of introspection in his new album “qPOC…&LMNOP” (available on Bandcamp). This series of songs replaces politics with heart, pushing grand narratives into the periphery in order to locate the personal narrative in the forefront.
It must be noted that Aurelio has not broken form from his previous album. Each song is derived from specific experiences. There is a vivid dream, a short history of his father and grandfather, a song for friend who passed away. Each track is personal, an internal struggle, but when converted to music and shared with the world, it becomes something we can all relate to.