Joel Vega & Andrew Potter, singing at The Phoenix Brewing Company
I don’t know one bean about opera. What I do know, is that Andrew Potter produced a note Monday night so low and resonant I felt it in my bones. You don’t have to know much Wagner to appreciate the talent and hard work behind making that music.
I attended “Hopera2!” at The Phoenix Brewing Company — a pairing of Phoenix’s beer with music by Mid-Ohio Opera. The opera company was founded by Joel Vega, a name I knew growing up here as someone to watch out for at the yearly solo and ensemble music competitions. And now look at him! Maybe it was the beer, but the man couldn’t stop smiling. As someone who has created his own successful arts nonprofit in a town where many said, opera? he has every right to grin. Mid-Ohio Opera brings in singers from around the country and offers Mansfield world-class performances. Not to mention the fact that Joel, himself, is a talented opera singer who teaches others for a living. Continue reading →
Here’s a link to an excellent blog post at Americans for the Arts by Colleen Cook, the Director of Marketing at the Renaissance Theater in Mansfield, Ohio, and a great friend and colleague of VFTB. Colleen is talking about how the Ren has used blogging and podcasting to engage people in the north central Ohio area.
VTFB contributor Mark Sebastian Jordan has previously appeared on the podcast, talking about upcoming concerts of the Mansfield Symphony. We’re glad to hear the success Colleen is having with this modern marketing tool!
Not in a bad way. In a just-got-laid-out-flat by the energy of the universe way.
Every once in a great, rare while, you hear exactly the right piece of music in exactly the right performance at exactly the right time in your life. And it will shake you.
For me, it happened tonight, October 5, 2017, in Severance Hall, when I heard the Cleveland Orchestra and conductor Franz Welser-Möst own Mahler’s Sixth. It immediately lept to my short list of greatest concert experiences, ever.
Why the piece matters and why this concert matters goes back a ways. It’s not performed all that often, glittering black beast that it is. Not only is this symphony fiendishly difficult, it’s also long—about 80 minutes—and ends darkly after tumultuous struggle. Not exactly a crowd-pleaser, it would seem, yet the piece is beloved by many, because it is a powerful emotional statement.