An art review by Nick Gardner
The small loft gallery at Main Street Books in Mansfield is a perfect place to show off John Thrasher’s art. The eight pieces hang on three walls, nestled between windows, above couches, next to the small upright piano. During the opening reception, friends move about drinking wine, snacking, talking about details in the pictures or about other art events or literature. We read John Thrasher’s poetic titles and suss their definitions out of the pieces on the wall. This gallery is one of a very few carpeted galleries I have visited. It is not large and echoic. It is hometown comfort that allows the viewer to zoom into and out of the complex and riveting sketches, watercolors, monoprints.
And this feel works perfectly with John Thrasher’s personality and style. I hear his drawl over the crowd, good natured and welcoming, as I look into the weave of cartoons and doodles within Misguided Articles. In this work of ink, gouache and watercolor, there is incredible and confounding motion: A ship tossing; graffiti tags confused in sketched smiley faces or frowning faces; an undulating landscape. And all of this is surrounded by the article “The” in neat calligraphy, twisting its way at all angles around the frame. But even within all of the motion is the stillness of a single watercolor tree, seemingly unmoved by wind, growing out of apparent chaos. There is comfort in minutiae. The cartoons taking me back to childhood doodles, the beautiful watercolor tree a serenity in blue sky background. Though as a whole this piece is complex, somewhat perplexing, that single word ‘the’ reminds me to focus back on the simple articles that make up the entire work. Continue reading