I hear the oboe whine its A in the orchestra pit, and it dawns on me how incredible this is. I’m living in a medium-sized Rust Belt town that actually has its own orchestra and a dance troupe and a grand old theatre that has drawn well over 700 people to see a ballet. The turnout to tonight’s cultural event echoes a different Mansfield, Ohio, an earlier, livelier version. Tonight, my Mansfield is out on the town.
Bobby Wesner, the artistic director of Neos Dance Theatre, has set tonight’s Nutcracker in 1940s Mansfield, and uses projection mapping and other technology I don’t understand to turn the stage into a snowy, glowing, palpable nostalgia of wartime Mansfield. A place I have never seen, that may not have existed, but that I am still homesick for.
I am seated up front in our iconic Renaissance Theatre. Plush red seats, an extravagant crystal chandelier, generous gold trim. The woman behind me gasps when the red velvet curtains part and the set is revealed. For me it’s not the set but the dancers who inspire awe. I watch the woman playing Marie, the main character. Her body occupies the space around her with the grace that makes movement art. The grace that makes humans human. The smile on her face is both sweet and somehow industrial — a part of her machine that will never fail. Continue reading